Vivek Sagar’s music deserves a special mention for playing a good part in pulling off this tale. Ravi Babu and his character also add to the quirkiness of the story where most of the characters are never as innocent as they seem. Sree Vishnu and Megha breathe life into their characters but Sunainaa is so effortless, it’s laudable. It’s only Srikanth Iyengar’s character that seems out of place, adding nothing much to the story even if he’s dependable as ever. The number of characters featured in the film might seem too many on paper but by the end of it all, most of them have something to do with the story at hand.
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The movie plays out like a modern version of folklore and just like such stories are wont to be, there’s a moral to learn by the end of it. It’s not just him Sanjana and Vidya also get character arcs that delve deeper into who these women are. Instead of leaning towards slapstick humour, he stays true to the story at hand and does a good job of showing Bhaskar’s journey from a stubborn man to one who accepts responsibility for his actions. Hasith’s debut film has a lot to offer when it comes to the way it’s written and narrated. Then there’s the priest (Tanikella Bharani) who’s narrating the tale of Valmiki to devotees and the Xerox shop owner (Ajay Ghosh) who has his own penance to make. William Reddy (Ravi Babu) is an SI looking for the perfect pawn in his game, his childhood friend (Vasu Inturi) and a doctor (Srikanth Iyengar) who just wants to make it big in real estate instead of treat patients.
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There’s a software employee called Sanjana (Meghana) who has secrets of her own to hide and Vidya (Sunainaa) a young mother who is pursing law so she can be independent from the men in her life. Raja Raja Chora also has motley of characters who play a role in changing Bhaskar’s life. And it does change his life like Anjamma predicted, just not in the way he thought. At the suggestion of a mother-figure Anjamma (Gangavva) whose predictions tend to change lives, he dons a costume to his next robbery and seems to hit jackpot. Despite having the kind of family life many would vie, he wants more from life and is willing to lie, cheat and sleaze his way to that unapologetically. And at evenings, he moonlights as a thief who will steal from the well-to-do and store his loot at a junkyard. Come morning he works at a Xerox shop where he loves to doze off and nick money from. What’s more, the way the tale is narrated, almost like something out of a desi comic book, makes the proceedings interesting.īhaskar (Sree Vishnu) almost seems to have no conscience. After a long time in Tollywood, there are consequences for every action taken – even if they mean pain for the lead actors. Review: Hasith Goli makes a stellar debut with Raja Raja Chora, choosing to treat this like a tale of redemption instead of a vehicle to show off heroism. What happens when he takes the advice of a mother-figure to pull off his next robbery?
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